We hereby present these extremely rare and extremely cool fliers for past appearanaces of Mr. Perry at Tucson's Club Congress...by T.S. Minton Blogs regular Mary Alice Bennett.


http://www.alperry.net/
"The Mind-Boggling Blog That's Guaranteed To Keep On Boggling": News of new artistic projects by acclaimed artist, author, and publisher T.S. (Steve) Minton (and Friends), and lively and contentious commentary on music, art, the culture and paradigm wars, and swamp gas in the sky (and other interesting and anomalous things).(C) 2008 Thodal Steven Minton & Interfusion Publishing, Tucson, Arizona. T.S. (Steve) Minton, webmaster & editor, interfusionbiz@yahoo.com.


http://news.yahoo.com/s/livescience/20070630/sc_livescience/brainscansrevealwhymeditationworks
Yesterday Tucson treasure and Club Congress fixture Al Perry appeared on Access Tucson's The Bunny Show, hosted by our friend Bunny Uriarte, and played his witty and sardonically self-deprecatingly little ditty "Loserville":
This is the house
That all my troubles built
I live at the end of Blue Street
In a town called Loserville.
When your true love's gone
And you're down to your last cent
In this neighborhood
There's always a place to rent.
Afterwards at the customary free dinner provided by Bunny and her mom and director Martha McGrath, we had a chance to chat with this local legend whose dedication to quality roots music stands in stark contrast to a pop culture where "merchants of swill" seem to garner most of the laurels and airplay. Al and "T.S. Minton Blogs Guy" Steve Minton discussed a variety of musical trends and notions:
- How Tucson has produced acts of such indubitable musical integrity as Stefan George; Luca; Giant Sand; in my estimation himself; and yet few have burst into the national consciousness (Linda Ronstadt of course is a delightful exception). We both enthused about Stefan George: an awesomely adept guitar virtuoso whether it's country, folk, or blues that comes to hand; a grizzly-voiced singer with rich conviction, soul, and lovely harmonies with his partner Lavinia White; a writer of lyrics with profound meaning and depth...all in all, a great total package who deserves more recognition. (George was also a resident with yours truly at the Cascabel Clayworks hippie commune in the mid-70s, see below.)
- His influences: Buck Owens, Johnny Cash, Porter Wagoner, among others; these acts account for the "cow" part of Perry's label as "the godfather of cowpunk." But what about the "punk" part of that moniker? Al mentioned the fact that rock music had reached such a nadir in the late 70s, dominated by performers I have elsewhere dubbed "bland corporate shit-rock", i.e. Styx, Toto, Foreigner, et al. that the only music at the time to burst on the scene with any quality and vitality was punk. He was impressed by the high-energy country rock acts that emerged in the 80s who fused punk intensity with country stylings, such as the Blasters and Jason and the Scorchers. Thus we arrive at "cow punk"...and our ears are enriched by it.
- How would a beginning Bob Dylan or Janis Joplin fare on American Idol? Not to well, we concluded: they lacked the requisite plastic Hollywood appearance; they had creaky and unusual (although incredibly emotive) voices; they were too blazingly original for a culture that enshrines corporate product over distinctive genius. Either of them though had more talent in their pinkie than anyone who's ever appeared on that Idol show. And even with a current musical scene where there's plenty of excellence (I think of most of the stuff on Tucson's 92.9 The Mountain, i.e. Norah Jones, The Killers, Augustana, and on 92.1 KXCI Community Radio, i.e. The White Stripes, The Shins, and other pleasing oddities they play from avant-garde to Americana) we both were stumped to name an artist of recent note who qualifies as epically great, i.e. an artist whose scope and depth could shake the foundations of our culture (as Bob Dylan and The Beatles did in the 60s). Sure Prince was an example of that level of protean musical skill, at least in his output a decade and two ago; even he though couldn't cut to the marrow of our culture as the aforementioned did.
KXCI Community Radio 91.3, Mondays at 10pm
Click here for live streaming.

"Lime Leopard in Repose", circa 2000"The silent world of nature", 2000
"The dance of Kali", circa 1994 (altered with photoshop, 2007)
(C) T.S. Minton
This posting is dedicated to Tony Palladini, a long-time friend and supporter of Interfusion Publishing, for reminding me to put the "T.S. Minton" back into T.S. Minton Blogs.





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